Some Lessons Learned from Wicca

            As many of you may remember, I have been studying the Wiccan faith to gain a greater understanding of its beliefs and practice for my novels and short works of fiction. I have utilized witches and witchcraft recently in some of my works, and I have found a new avenue for character development with it. It’s been very interesting reading about the practice of folk magic, and it certainly has educated me on the subject (I take broom flying lessons on Thursdays). In the vein of exploration, I thought I would take a break from the instructional lessons and give you a glimpse into Wicca. Here we go…

           

            First, I learned Wicca isn’t what I thought it was. I approached the subject with no skepticism, but an open mind and I found so much more than I expected. I thought I would uncover the conventional ideas expressed by our culture: dark-cloaked people, black cats, old grey-haired ladies with malice upon their faces, sacrifices and death spells, etc. Cartoons and movie have instilled in us such an impression that it is difficult to see around the pointed hats and bubbling cauldrons, as well as the kid with the scar on his head. Witchcraft is very common, very real, practiced by very normal people who have learned to harness the energy of the Earth. Their Rede, or set of rules, forbids them from doing harm to anyone and allows for free practice so long as it harms none. What I nearly expected and what I found were two different things.

            Second, nature is imbued with power. This may be a little foreign to some, but after being infused with so much Christian doctrine, I do not find it strange at all. For Wiccans, everything has energy dwelling in it. That is how they can cast spells; they simply arouse the energy of the Earth, then direct it towards a goal. Rocks, especially certain varieties, have unique powers that enable the Wiccan to perform rituals and spells. I was certainly struck by the idea of nature seemingly being “God.” The Christian texts have sayings that strike at the notion of God being “above all, through all and in all.” To me, it certainly makes more sense to see the divine as a real and functioning part of this creation, and not some abstract entity realms away. The trees, the rocks, rivers, mountains, buildings, people, animals, all are part of the divine and a living expression of it. The divine in nature can also be experienced and touched; that amazes me. It is not distant, but very much a thriving part of all that is.

            Third, Wiccans believe in reincarnation. Now, on this point many people divide; Christians especially do not want to believe in reincarnation. The Christian view is that life is lived once and once only. It is easy to follow that until you look at ancient documents and see how many faiths have ideas concerning the notion. The Hebrews believed the prophet Elijah would return again. The Christian texts speak of Jesus as being Elijah, and John the Baptist as him also. The Dali Lama is a reincarnation of past spiritual leaders. The list goes on. For now it is easy to say that for Wiccans, and many Eastern faiths, reincarnation is a very natural process. Buddhists believe in reincarnation, though they see the process in a negative light and believe enlightenment allows them to escape the cycle of reincarnation. Wiccans believe in a more positive approach to the idea; we simply return and return. Life is not something to be escaped, but something to embrace. I like the idea of reincarnation, although I have many questions and have seemingly found some loopholes. Let’s hope I don’t fall through one when making my return trip!

            Lastly, natural energy can be harnessed. As I stated above, the energy of the world can be collected and used to achieve a goal. In most of the major world faiths today, you have to use prayer or some form of petition to bring about change. It is very taxing and will not always bring about the desired results. With prayer, the power is not in the person’s hands, but in the hands of the divinity to which they are praying. With Wicca, the power rests solely with the practitioner; they have the ability to harness the energy and send it forth to bring change. Of course, I see some loopholes here as well, but I think there is also a great chance of success. It is freeing to think one has the ability to create change. Personal power, it seems, is invested in the practitioner and not a distant entity. I might be more inclined to believe in the practice if I saw a witch make it rain, but for now I am open to it. After all, the energy is there; why not use it?

            It has been an interesting time reading about the subject. What I listed here was only a sampling of what I have read. As I read more, I will try to pass it along to you all. Remember to never judge a book by its cover and never take someone else’s opinion; research it yourself and come to your own conclusions. Until then, remember, when flying on your broomstick, slower traffic keeps to the right.

            As always, good luck writing.

Work Update 3

            It has been a while since I last posted and I have a lot going on, so I thought I would update you all on the latest projects. I have three underway right now; the first is the novella. I have completed it and revised it once. It needs two more readings, then it will be ready for submission. I think I have found a suitable publisher in Arkham, the same publisher which handled H.P. Lovecraft’s works. If you have not read him yet, do check him out. His work is great. The Novella came off really well, and I am pleased with it thus far. I have two short stories I am working on as well. The first is one which I have been working through for some time. It is the story about the departed lover who leaves her dog to her boyfriend. When he meets a new girl, the dog begins to act in bizarre behavior. The second is a 25 page work dealing with the traumatic story of a young girl, the Newsalem Witch! It was my first endeavor writing about a female lead, and I think it came across pretty well. It was also a first in that it was a “story within a story.” A young hiker, the main character, finds the lady’s journal and reads of her tragedy. I am pleased with it as well, and look forward to seeing it completed. The latter two will be on PubIt soon; I will let you know when. 

            Aside from these very active projects, I have some ideas mulling around in my mind. I will not share them now; sorry, I guard them jealously. Once I can get these out of the way, I want to put some attention toward the novella again and get it ready for its little flight to neverland (it’s probably where it will end up). I am also torturing myself by reading the Barnes and Noble unabridged version of Moby Dick. I thought it would be a good adventure book, but I have learned more about the color white and ropes than I have about the damned whale! It is a bit of a joke now around the house, and if the book were not on my electronic reader, I should have returned it to the ocean from whence it came! Oh well. Happy reading to me.

            That is all for now. I will give some details about the two works when I get them completed and before I put them up for sale. It has been busy here, and I am trying to get adjusted to the new summer schedule. Once I can fully embrace the summer months, I will start to crank out more blogs, perhaps two a week (not that anyone reads them, Hah!)

            As always, good luck writing.

What to Do With Downtime

            I have found that writing falls into two categories: intensive writing and intensive down-time. I have either been viciously typing away at the keys or I have been staring at the keyboard, sometimes trying to remember how it works. Some writers may have a happy medium between the two opposites, but for most it seems it is either feast or famine. We all know what to do with the writing times; write, and get as much on paper as possible. The times of austerity, however, can be tricky to manage, as the creative rivers all but dry up. Here are some of the things that I do when I have no major projects on hand.

            First, I research for future projects. What do I research, you may ask? Well, I read fervently and learn my material; anything that catches my eyes becomes a possible idea. Is your book historical? Know your information and dates? Are you writing about science? Learn the language of the field and the function of the sciences. Be fully prepared for your work and read everything! I have studied articles, books on various subjects ranging from mythology to Wicca, and mentally consumed my fair share of ghost stories. You may remember these were some of my avenues of inspiration. I am currently researching stuff on Wicca for my next novel. I may not have mentioned much about this current project yet, but soon I will give you some details on book 2. Researching is important to the whole scope of the endeavor, as it gets you in line with the reality of the story and helps to prepare you for the flowing of the rivers again. Do you neglect your research. More on this later.

            Second, I edit heavily. You may not be able to write, but you can edit like crazy. Take the document, a large cup of coffee/tea/milk/Bailey’s/etc. and read like mad. I try to edit when I finish the document, but sometimes it piles up on me. Those downtimes are wonderful for catching up on the editions and getting them in. Editing takes a lot of time, so use your downtime wisely and set aside an hour or two for editions. It may be tedious, but it sure beats staring at the keyboard.

            Third, and perhaps most importantly, I relax. As a writer, you are a bit of an entertainer. You create stories for amusement and pleasure. Sometimes, however, it is nice to simply read someone else’s works and allow your mind to wander. We spend so much of our time crafting tales, editing and researching the story we want to tell, that it is nice to sit back and allow someone else to narrate the adventure. Do not neglect reading, as it is a time for us to enjoy the craft without being totally immersed in the process.

            Downtime can sometimes be a pain, especially if deadlines are approaching, but if you have the available time, follow the above strategies and you just may appreciate the idle hours more than you previously thought.

            As always, good luck writing!

Excessive Gore

            We seem to live in a world today which thrives on gory descriptions. The bloodier the movie or book, the better it will sell, or so it is thought. We see movies like the Final Destination series and the Saw chain and realize we are obsessed with debased scenes. I refuse to watch gore, unless it is based on a historical war scene (in such matters I do not want to be lied to either, as I remember the stories my grandfather told me of the horrors of the Second World War.) Yet when it comes to entertainment, we gravitate towards the bloody; as writers, it should not be so with us. Too many works are created everyday that detail slimy, butcher-like scenes. That is not art; neither is it acceptable. Some may think it difficult to create a horror story without gruesome detail. I disagree. Below you will find a few hints on how to write a very good work of fiction without the mess.

            First, and most importantly, let the imagination work on its own. When a person is engulfed by a book, their brain is running “wide-open.” They are viewing the scenes you describe; they are engaging with the characters and the plot; they are remembering places and names, and perhaps even conjuring memories of their own. You need not inundate their minds with details of a bloody nature. Poe illustrates a good example in the Black Cat, where he plucks out the eye of the cat. What could have been a very blood scene in writing was glossed over very quickly with little to no gory detail. The mind knew what to think; everyone can create their own scene without unwanted detail. Let the mind of the reader work freely on these parts. This leads me to my second point, if blood is necessary, move through it quickly.

            If writing a horror story, you will encounter bloody moments. It is inevitable to create a story with violence and no blood shedding. To dwell on the bloodthirstiness of the scene, however, is not necessary. Pass through it quickly. In most of Poe’s works, he passed through the scenes very quickly and with little detail. In my works, I give very little detail on such matters, and opt to move around them quietly. Does that make me a bad writer? I should think not, since my work is more about art than mere entertainment. I write for the joy of writing and the art of the work, not subtle blood splattering. The action may be necessary for the storyline, but the excessive detail is not; mention and move on.

            Finally, remember your audience. It is always a good idea, if writing horror, to write to as general an audience as possible. Keep the gore to a minimum for the sake of the readers, and you will have better success with the reading population. People can enjoy a good scary story; not all people can stomach gruesome scenes. Write to the greater reading population and you will do alright.

            Well, still feeling the need to elaborate on the exploding head? Remember, what you create is art, not just archaic symbols on a page. You may walk into a museum and look at the works of Warhol and think, what? Some people may walk into your story and think the same, even though you, like Warhol, are brilliant.

            As always, good luck writing.

The Importance of Saving Your Work

            Perhaps the most important lesson to be learned in writing is to back up your work. It seems like such an obvious idea, but few will actually take the time to secure their writings before leaving the computer. I speak from personal experience when I say it is essential to constantly save your work when writing and editing. Here is a bit of a sad story to illustrate the point.

            Only a few moments ago, I was in the process of editing a short work of fiction. I reached page seven and found to my amazement that no further pages existed to correspond with my hardcopy. The electronic version only had seven pages, whereas I typed a full thirteen! Where did they go? My memory gently reminded me of some computer error I had a few weeks ago, so I am now supposing the ms became entangled in that situation and half the story went the way of the Dodo. I have not edited in a few days, so the issue was not immediately recognized. When I checked my backup jump drive, it, too, had only the seven page document on board. Lesson One: check the full ms before closing down for the day. You may have an error and could possible restore the document before saving the corrupted file to your disc. I even tried my “doomsday disc” and found I had only two pages saved there. I was out of luck.

            It is not a total loss, since I have a hardcopy of the work, and here lies lesson two: always print off a hard copy when you are finished with the story. It is not only needed for editing purposes, but also for the safety of the work. I have a hard copy now, so I can at least retype the document and have it electronically again. It’s a lot of unnecessary labor on the part of the writer, but at least the whole endeavor will not be permanently lost.

            Above, I mentioned my “doomsday disc,” a jump drive which I used as the proverbial doomsday vault of my literature, the last bastion should everything else fail. Normally, I am obsessed with backing up documents and I always pride myself on having multiple copies of a single document. In this case, my obsession failed me, and my doomsday vault was found to be empty. Lesson three: always save to such a disc as the doomsday disc when a work is completed (before editing); when you complete a read-through, save it there once again. Believe me; you will thank yourself for it.

Your writing is too precious to lose, and the time put forth into the craft is far too valuable. Keep multiple saving discs and always secure your work, or you will end up like this disgruntled writer who now has to waste time retrieving a story which was already written!

Well, that is all for now. As always, good luck writing!

Work Update 2

            I am very busy now! Perhaps that exclamation will make my point. My apologies for my recent absence, but the fact is I have had little free time since beginning my new occupation at work. I will indulge your curiosity for a moment and share a brief segment of my life before moving onto my work update.

            You might remember that I am employed in the food and beverage field, and was formerly the evening shift supervisor of a Starbucks Coffee Shop on an academic campus in Central Florida. I worked the job until two weeks ago, when the supervisory position in the Catering Department became available. Management was very encouraging, and I decided to take the position. I have been retail since I began working at the campus; now, I am in a totally new field, with new hours (a positive change), and a lot of responsibility. In fact, to make my point, tomorrow I will be preparing a breakfast for the university president and some guests. It is an exciting move, and I stand to gain a lot from it. It has been a good week in the new field so far and I am enjoying it immensely. There are items and people in the coffee shop I miss, but the transition has, overall, been a very positive one for me. I am now home most evenings with my wife (as opposed to working 6 pm-3 am every night) and I have a wonderful manager and crew with which to work.

            Now, I have said the above to point out that my new position leaves me little time to engage in blog writing. My wife is my first priority in the evening, so I write and research when time allows. I have been a week in the job, so hopefully I will begin to learn to use the new schedule to my advantage, as I still desire to keep my writing career going. That being said, onto the update.

            I spent most of today working on the novella, and am pleased to say I have finally gotten through the first draft! It was a bit of a pain, as the first read-through was extensive, but it came out well. Only two more edits and it is finished. I am pleased so far with the story and its outline, pace and style; only a few more critiques and it will be near perfect.

            You are reading my blog, so it means I was successful in creating it today. On my list are this blog and my short story, The Unbinding Tie, which I am currently editing. It is my hope to have this posted and the story completed soon. There do no seem to be many corrections as of yet (that frightens me!), but it is coming along nicely.

            As far as ideas go, I have one project I will begin shortly. This one is a short story about a hiker who ventures off trail into the old, abandoned house of the supposed town witch. Once inside, he finds and reads from a book she wrote about her own life and experiences with the judgmental townspeople. It has been rattling around in my cranium for a long while now, and demands attention. I hope to begin work on it in the next few days, time permitting. I am excited about the story’s prospects, as I feel it is going to be a good one for me. It will be nice to get it underway.

            Well, that is all for now. Wish me luck with my new endeavors, and as always, good luck writing!

On Writing a Short Story

            In a conversation with a co-worker the other day, she told me she was going to submit a short work of fiction for a writing scholarship competition. Having only worked on a novel, she was unfamiliar with short story writing. I realized then not all writers are familiar with writing shorter works. In this blog I will give some pointers on how to write a good work of shorter length.

            The short story has been around for centuries. Some writers utilized the medium extensively, like Poe, Hawthorne and London, and some had their stories broken down into smaller bits for publication in newspapers, like the French writer Dumas. Short works are best described as works long enough to give ample definition to emotions and settings, as well as plot, but short enough to read in a single sitting. I personally love the style and approach of a short story; it gives me room to move artistically, but also keeps me focused on the story, as I do not have too much space for frivolous material. A short story keeps you to the point.

            There are a few basic tips to follow when constructing a shorter work, tips I shall detail below. First, and I believe most importantly, write in the here and now. You all know my flare for existential writing; write in the now. Of all my stories, only a few actually progress through time. The remainder of my tales all take place in the moment. Writing in such a manner allows for further emphasis on the emotions of the moment, and the moment itself. It presents a powerful piece in which the feelings and atmosphere become the actual characters, [see my blog on existential writing]. Try the style. Some writers may prefer to have a general progression of time, while others may find they like the approach. I feel I would be utterly lost without this method.

            Second, keep your characters few in number. A short story cannot have dozens of characters, each with their own plots and subplots. If such is your story, please write a novel. My stories have one, perhaps two characters at best. The Man in the Window had only the main character with the two boys appearing only as part of the backdrop. In many of my tales, there is but one character, and only one. This also helps to tie into the theme of existentialism; too many people in the story illustrate too many themes and too much emphasis on time.

            Thirdly, write a simple plot. You need not re-create the Count of Monte Cristo or A Tale of Two Cities in short fiction form. It is a short work: let the plot be short and simple. In Perpetually Seven the main character is driven mad by the loss of time; the same is true of The Noise from Above, where the character thinks he hears someone moving around in the second story of his home. Take a single incident and construct it on paper, letting the scene speak for itself. Don’t worry about background information. It is sometimes unique and neat to be dropped into the middle of a situation. The scene will reveal itself over the course of the story, so don’t worry about that.

            Finally, pace yourself. When writing a novel, writers pace themselves for a long haul or run; with short fiction, pace yourself for a sprint. Know and remind yourself constantly that the work will be a short one. Not all problems need to be handled and corrected in the lives of your characters in the story. Let some issues slide by in an effort to run your sprint with ease.

            If you do feel compelled to use time in your story (I did with Unbinding Tie and The Man in the Window), try to keep it simple. I have found that using such phrases as “After a week,” or  simply, “with the passage of days…” helps greatly to create the illusion of passing time, without having to progress through each day and encumbering your story with needless details. It is not my point, however, to erase all descriptions and details from the work. That is certainly not my intent. If you have read any of my tales, you will find very descriptive paragraphs. You need only to eradicate what is not necessary.

            So, there you are. Now, sit before your computer and belt out one of those stories. Not that easy? Well, you are correct. As always, let the story speak to you. Short or not, the story has a tale to tell, and it will let you know when it is ready. Be alert and ready when it calls, and use these tips to craft an excellent work.

            As always, good luck writing!