On Writing a Short Story

            In a conversation with a co-worker the other day, she told me she was going to submit a short work of fiction for a writing scholarship competition. Having only worked on a novel, she was unfamiliar with short story writing. I realized then not all writers are familiar with writing shorter works. In this blog I will give some pointers on how to write a good work of shorter length.

            The short story has been around for centuries. Some writers utilized the medium extensively, like Poe, Hawthorne and London, and some had their stories broken down into smaller bits for publication in newspapers, like the French writer Dumas. Short works are best described as works long enough to give ample definition to emotions and settings, as well as plot, but short enough to read in a single sitting. I personally love the style and approach of a short story; it gives me room to move artistically, but also keeps me focused on the story, as I do not have too much space for frivolous material. A short story keeps you to the point.

            There are a few basic tips to follow when constructing a shorter work, tips I shall detail below. First, and I believe most importantly, write in the here and now. You all know my flare for existential writing; write in the now. Of all my stories, only a few actually progress through time. The remainder of my tales all take place in the moment. Writing in such a manner allows for further emphasis on the emotions of the moment, and the moment itself. It presents a powerful piece in which the feelings and atmosphere become the actual characters, [see my blog on existential writing]. Try the style. Some writers may prefer to have a general progression of time, while others may find they like the approach. I feel I would be utterly lost without this method.

            Second, keep your characters few in number. A short story cannot have dozens of characters, each with their own plots and subplots. If such is your story, please write a novel. My stories have one, perhaps two characters at best. The Man in the Window had only the main character with the two boys appearing only as part of the backdrop. In many of my tales, there is but one character, and only one. This also helps to tie into the theme of existentialism; too many people in the story illustrate too many themes and too much emphasis on time.

            Thirdly, write a simple plot. You need not re-create the Count of Monte Cristo or A Tale of Two Cities in short fiction form. It is a short work: let the plot be short and simple. In Perpetually Seven the main character is driven mad by the loss of time; the same is true of The Noise from Above, where the character thinks he hears someone moving around in the second story of his home. Take a single incident and construct it on paper, letting the scene speak for itself. Don’t worry about background information. It is sometimes unique and neat to be dropped into the middle of a situation. The scene will reveal itself over the course of the story, so don’t worry about that.

            Finally, pace yourself. When writing a novel, writers pace themselves for a long haul or run; with short fiction, pace yourself for a sprint. Know and remind yourself constantly that the work will be a short one. Not all problems need to be handled and corrected in the lives of your characters in the story. Let some issues slide by in an effort to run your sprint with ease.

            If you do feel compelled to use time in your story (I did with Unbinding Tie and The Man in the Window), try to keep it simple. I have found that using such phrases as “After a week,” or  simply, “with the passage of days…” helps greatly to create the illusion of passing time, without having to progress through each day and encumbering your story with needless details. It is not my point, however, to erase all descriptions and details from the work. That is certainly not my intent. If you have read any of my tales, you will find very descriptive paragraphs. You need only to eradicate what is not necessary.

            So, there you are. Now, sit before your computer and belt out one of those stories. Not that easy? Well, you are correct. As always, let the story speak to you. Short or not, the story has a tale to tell, and it will let you know when it is ready. Be alert and ready when it calls, and use these tips to craft an excellent work.

            As always, good luck writing!